Ensemble, Plato’s Atlantis, spring/summer 2010
Photography by Sølve Sundsbø courtesy of The Metropolitan Museum of Art
“[This collection predicted a future in which] the ice cap would melt…the waters would rise and…life on earth would have to evolve in order to live beneath the sea once more or perish…Humanity [would] go back to the place from whence it came.” – Lee Alexander McQueen
Photography by Sølve Sundsbø courtesy of The Metropolitan Museum of Art
“[This collection predicted a future in which] the ice cap would melt…the waters would rise and…life on earth would have to evolve in order to live beneath the sea once more or perish…Humanity [would] go back to the place from whence it came.” – Lee Alexander McQueen
Dress, Widows of Culloden, autumn/winter 2006–7
Photography by Sølve Sundsbø courtesy of The Metropolitan Museum of Art
“When we put the antlers on the model and then draped over it the lace embroidery that we had made, we had to poke them through a £2,000 piece of work. But then it worked because it looks like she’s rammed the piece of lace with her antlers. There’s always spontaneity. You’ve got to allow for that in my shows.” – Lee Alexander McQueen
Photography by Sølve Sundsbø courtesy of The Metropolitan Museum of Art
“When we put the antlers on the model and then draped over it the lace embroidery that we had made, we had to poke them through a £2,000 piece of work. But then it worked because it looks like she’s rammed the piece of lace with her antlers. There’s always spontaneity. You’ve got to allow for that in my shows.” – Lee Alexander McQueen
Dress, VOSS, spring/summer 2001
Photography by Sølve Sundsbø courtesy of The Metropolitan Museum of Art
Photography by Sølve Sundsbø courtesy of The Metropolitan Museum of Art
Dress, No. 13, spring/summer 1999
Photography by Sølve Sundsbø courtesy of The Metropolitan Museum of Art
“[The finale of this collection] was inspired by an installation by artist Rebecca Horn of two shotguns firing blood-red paint at each other.” – Lee Alexander McQueen
Photography by Sølve Sundsbø courtesy of The Metropolitan Museum of Art
“[The finale of this collection] was inspired by an installation by artist Rebecca Horn of two shotguns firing blood-red paint at each other.” – Lee Alexander McQueen
Some of his best work, interesting in concepts and very visually appealing, his play with shape and form i love and find truly inspiring.
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